By Tison Pugh

For the U.S. South, the parable of chivalric masculinity dominates the cultural and ancient panorama. Visions of white southern males as archetypes of honor and gentility run all through neighborhood narratives with little regard for the activities and, from time to time, the atrocities dedicated via such males. In Queer Chivalry, Tison Pugh exposes the inherent contradictions in those depictions of cavalier manhood, investigating the principles of southern gallantry as a reincarnated and reauthorized model of medieval masculinity. Pugh argues that the belief of masculinity -- relatively as visible in works through favorite southern authors from Mark Twain to Ellen Gilchrist -- constitutes a cultural fantasy that queerly demarcates permitted norms of manliness, frequently via exhibiting the impossibility of its success.

Beginning with Twain's well-known critique of "the Sir Walter sickness" that pilloried the South, Pugh specializes in authors who wondered the code of chivalry by way of growing protagonists whose quests for private knighthood end up quixotic. via distinct readings of significant works -- together with Twain's A Connecticut Yankee in King Arthur's courtroom, Flannery O'Connor's brief fiction, John Kennedy Toole's A Confederacy of Dunces, Robert Penn Warren's a spot to return To, Walker Percy's novels, and Gilchrist's The Annunciation -- Pugh demonstrates that the hypermasculinity of white-knight beliefs simply attracts awareness to the ambiguous gender of the literary southern male.

Employing insights from gender and psychoanalytic thought, Queer Chivalry contributes to fresh severe discussions of the cloaked anxieties approximately gender and sexuality in southern literature. finally, Pugh uncovers queer limits within the cavalier mythos, displaying how proof and fictions contributed to the ideological formula of the South.

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Queer Chivalry: Medievalism and the Myth of White Masculinity in Southern Literature (Southern Literary Studies) by Tison Pugh

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