By Eleni Kallimopoulou
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Because the Eighties, musicians and audiences in Athens were rediscovering musical traditions linked to the Ottoman interval of Greek heritage. the results of this revivalist circulation has been the city musical type of 'paradosiaká' ('traditional'). Drawing from a different repertoire that comes with Turkish paintings song and folks and well known musics of Greece and Turkey, and pointed out via tools which formerly had very little appearing culture in Greece, paradosiaká has needed to outline itself by way of negotiating contrastive traits in the direction of differentiation and a undeniable measure of overlapping on the subject of a number of indigenous Greek musics.
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Extra resources for Paradosiaká: Music, Meaning and Identity in Modern Greece (SOAS Musicology Series)
Paradosiaká: Music, Meaning and Identity in Modern Greece (SOAS Musicology Series) by Eleni Kallimopoulou