By Hiram Pérez
Describing an everlasting homonationalism courting to the “birth” of the gay within the past due nineteenth century, Pérez considers not just how US imperialist growth used to be learned, but additionally the way it was once visualized for and during homosexual males. through an research of literature, movie, and images from the nineteenth to the twenty first centuries—including Herman Melville’s Billy Budd, Anne Proulx’s “Brokeback Mountain,” and photographs of abuse on the Abu Ghraib prison—Pérez proposes that smooth homosexual male id, frequently traced to overdue Victorian buildings of “invert” and “homosexual,” occupies now not the outer edge of the kingdom yet fairly a worldly place, instrumental to tasks of battle, colonialism, and neoliberalism. A flavor for Brown Bodies argues that practices and subjectivities that we comprehend traditionally as kinds of homosexuality were regulated and normalized as an extension of the U.S. countryside, laying naked the tacit, if advanced, participation of homosexual modernity inside of US imperialism.
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Extra info for A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire (Sexual Cultures)
A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire (Sexual Cultures) by Hiram Pérez